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Gilbert Isbin / Geert Verbeke
Gilbert Isbin / Geert Verbeke
Twins
 
Record Labels Tern
Phonographic reference CD-J05
Released June 1999
Media cd
 
More information about this album 
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 Performers

Gilbert Isbin - Classical, Prepared Guitar    
- Amphora, Bells, Berimbau, Birdcall, Caxixi, Himalayan Bowls, Kung Zee's, Paiste Gongs, Cymbals    


 Bands

Gilbert Isbin Group  


 Tracks

1.   Amphora    
2.   Royal Tune      
3.   Aaskia Maya      
4.   Secrets      
5.   Nazca      
6.   Wide      
7.   Threat      
8.   Embrace      
9.   Jonas & The Fish      
10.   Open Day      
11.   Apple    
12.   Loop      
13.   Tingsha's      
14.   Child      
15.   Koko      
"It has been some time since I'd heard new material by Belgian guitarist Gilbert Isbin (remember the beautiful and pristine work PURE?). The good news is that TWINS is even better. A collaborative work with percussionist Geert Verbeke, the music is a mystical fusion of classical guitar, and prepared guitar soundscapes, complemented beautifully by a variety of exotic percussive textures and effects.
The sound is simple, spatial and organic with emphasis shifting from a traditional guitar sound to experimental passages with ease. Highly recommended."

    Archie Patterson - Eurock (online).
A most unusual and inviting disc: Gilbert Isbin plays guitar (classical and prepared), and Geert Verbeke plays a variety of percussion instruments. Together they make meditative, refreshing, and inviting music that often tends toward East Asian models both in sound quality and in sonic depth.

There's a great variety to the sound. On "Secrets," for example, they seem to be able to achieve the shimmering sound of a synthesizer with acoustic effects alone: the beautiful natural resonance of bells, underlined by a string effect that's almost vocal. The opener, "Amphora," tends toward the world of the raga, while other tracks like "Saskia Maya" draw on the percussive sonorities of other, lesser known cultures. "Threat" plays off guitar scribbles that convey the sense of foreboding without ever breaking the musical texture. Nor is a grim visage required: the brief closing "Koko," for example, is wild and playful.

This disc should not be missed by anyone who appreciates the sound of genuine and non-clichéd acoustic guitar, expertly supported by an imaginative percussionist.

    By Robert Spencer
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